affinity

Search

May 2007
M	T	W	T	F	S	S
« Apr		Jun »
	1	2	3	4	5	6
7	8	9	10	11	12	13
14	15	16	17	18	19	20
21	22	23	24	25	26	27
28	29	30	31

Profile

Guitarist-composer Johnny Alegre, jazz journeyman and recording artist from the Philippines. His pioneering projects are contributing progressively towards bringing an emergent Southeast Asian milieu to the attention of musical audiences local and foreign; defying barriers of genre, demographics and cultural stereotypes. Alegre’s involvement in the Philippine scene encompasses scores of bands and recording projects, spanning more than three decades of history and discography in seminal “pinoy rock”, his early sorties into his country’s popular OPM (Original Pilipino Music) genre, and his an epiphany in modern jazz. In various capacities as composer-arranger, record producer and performing musician, his protean roles have been none short of groundbreaking.

In 2002, Johnny Alegre formed what effectively became Manila’s premier jazz collective, the "Johnny Alegre AFFINITY" (with bassist Colby de la Calzada, drummer Koko Bermejo, pianist Elhmir Saison and saxophonist Tots Tolentino as co-founding members), which initiated a series of musical chairs that continue until the present. His performances with AFFINITY spanned the breadth of Manila’s high profile clubs and concert venues in modular formats of trios, quartets and quintets. Their first recorded work, “Stones Of Intramuros”, written by Alegre, was included in a limited edition Philippine jazz anthology CD, Adobo Jazz Vol.1, that caught the attention of the London-based jazz specialty label, Candid Records.

Subsequently, the eponymous first album, “Johnny Alegre AFFINITY” was released in the Philippines in mid-2005, described by the local press as “a blend of musical, technical and communal creativity between the composer and his allies”. The opus was subsequently re-released in the U.K. as “Jazzhound”, with notices in British jazz publications, and capped by two sold-out engagements (with guest saxophonist, Dimitri Vassilakis) in London’s PizzaExpress Jazz Club. In 2008, Alegre unfolded “Eastern Skies”, an album set to the framework of an orchestral backdrop by the Global Studio Orchestra (conducted by Gerard Salonga, as arranged by Ria Villena-Osorio). It was his response to the clamor for even more innovative music from “Manila’s jazz superband”. Alegre’s introduction to a mainstream American jazz audience in Hollywood’s Catalina Bar in December 2007 earned him a favorable notice in the Los Angeles Times, particularly some kind words from journalist Don Heckman and the music historian Ashley Kahn.

In pursuit of these encouragements, 2009 is the year of “3”, Alegre’s third outing: a U.S. trio recording of the guitarist-composer joined by Billy Hart (drums) and Ron McClure (bass). “3” is his follow through to what promises to be a new global breakthrough effort for the Philippine jazz artist. This third release also marks his migration to his new home and record label, MCA MUSIC (Philippines) of the Universal Music Group.

Johnny Alegre is presently at work with HUMANFOLK, a suite of recordings and the subsequent concept band he undertook with the New York based avant-garde percussionist and indigenous music advocate, Susie Ibarra, together with her husband, drummer Roberto Juan Rodriguez, and with innovative Philippine-based musical artists and collaborators, singer-composer Cynthia Alexander and the sound designer, Malek Lopez.

Juan Bautista H. Alegre (III) attended the University of the Philippines College of Music in the latter 1970s, studied composition and was a founding member of the U.P. Jazz Ensemble. Under the tutelage of jazz educator Dr. Joseph Howard and pianist Fred Robles, he further participated in creative workshops conducted by visiting professors such as musicologist-composer Dr. Erhard Karkoschka from the Stuttgart Musikschule, British guitarist Ike Isaacs and composer-scholar Chou Wen-chung from Columbia University. This is an exciting time for those to hear the musical stories of Johnny Alegre, who had emerged as a compleat musician and exponent of a distinctive and very personal musical statement that is both Philippine, Asian and Global.