AFFINITY at the Shang
March 16, 2006We’ll be playing at the Grand Atrium of the Shangri-la Plaza on March 25 (Saturday) as part of the annual "Coffee Tea and Jazz" festivities. It’s a free concert. Show starts at 6pm.
We’ll be playing at the Grand Atrium of the Shangri-la Plaza on March 25 (Saturday) as part of the annual "Coffee Tea and Jazz" festivities. It’s a free concert. Show starts at 6pm.
Guitarist-composer Johnny Alegre, jazz journeyman and recording artist from the Philippines. His pioneering projects are contributing progressively towards bringing an emergent Southeast Asian milieu to the attention of musical audiences local and foreign; defying barriers of genre, demographics and cultural stereotypes. Alegre’s involvement in the Philippine scene encompasses scores of bands and recording projects, spanning more than three decades of history and discography in seminal “pinoy rock”, his early sorties into his country’s popular OPM (Original Pilipino Music) genre, and his an epiphany in modern jazz. In various capacities as composer-arranger, record producer and performing musician, his protean roles have been none short of groundbreaking.
In 2002, Johnny Alegre formed what effectively became Manila’s premier jazz collective, the "Johnny Alegre AFFINITY" (with bassist Colby de la Calzada, drummer Koko Bermejo, pianist Elhmir Saison and saxophonist Tots Tolentino as co-founding members), which initiated a series of musical chairs that continue until the present. His performances with AFFINITY spanned the breadth of Manila’s high profile clubs and concert venues in modular formats of trios, quartets and quintets. Their first recorded work, “Stones Of Intramuros”, written by Alegre, was included in a limited edition Philippine jazz anthology CD, Adobo Jazz Vol.1, that caught the attention of the London-based jazz specialty label, Candid Records.
Subsequently, the eponymous first album, “Johnny Alegre AFFINITY” was released in the Philippines in mid-2005, described by the local press as “a blend of musical, technical and communal creativity between the composer and his allies”. The opus was subsequently re-released in the U.K. as “Jazzhound”, with notices in British jazz publications, and capped by two sold-out engagements (with guest saxophonist, Dimitri Vassilakis) in London’s PizzaExpress Jazz Club. In 2008, Alegre unfolded “Eastern Skies”, an album set to the framework of an orchestral backdrop by the Global Studio Orchestra (conducted by Gerard Salonga, as arranged by Ria Villena-Osorio). It was his response to the clamor for even more innovative music from “Manila’s jazz superband”. Alegre’s introduction to a mainstream American jazz audience in Hollywood’s Catalina Bar in December 2007 earned him a favorable notice in the Los Angeles Times, particularly some kind words from journalist Don Heckman and the music historian Ashley Kahn.
In pursuit of these encouragements, 2009 is the year of “3”, Alegre’s third outing: a U.S. trio recording of the guitarist-composer joined by Billy Hart (drums) and Ron McClure (bass). “3” is his follow through to what promises to be a new global breakthrough effort for the Philippine jazz artist. This third release also marks his migration to his new home and record label, MCA MUSIC (Philippines) of the Universal Music Group.
Johnny Alegre is presently at work with HUMANFOLK, a suite of recordings and the subsequent concept band he undertook with the New York based avant-garde percussionist and indigenous music advocate, Susie Ibarra, together with her husband, drummer Roberto Juan Rodriguez, and with innovative Philippine-based musical artists and collaborators, singer-composer Cynthia Alexander and the sound designer, Malek Lopez.
Juan Bautista H. Alegre (III) attended the University of the Philippines College of Music in the latter 1970s, studied composition and was a founding member of the U.P. Jazz Ensemble. Under the tutelage of jazz educator Dr. Joseph Howard and pianist Fred Robles, he further participated in creative workshops conducted by visiting professors such as musicologist-composer Dr. Erhard Karkoschka from the Stuttgart Musikschule, British guitarist Ike Isaacs and composer-scholar Chou Wen-chung from Columbia University. This is an exciting time for those to hear the musical stories of Johnny Alegre, who had emerged as a compleat musician and exponent of a distinctive and very personal musical statement that is both Philippine, Asian and Global.
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hi pls save us a set cz we going there tommorw as a group pls kindly save me a 5 set in front thank u
were going there tommorw,may 3 i hope you can save us a set cz we go there as a group.thanks allot!
This site is neat! This and the other one in Multiply (affinityjazz.multiply.com) I really like the new gig poster for September.
the affinity set at fete de la musique was awesome! some edgy jazz-rock. who was the drummer?
mga sir: no plans on gigging dito sa davao? this place needs a nice touch of jazz..thanks a lot! love your music! pinoy jazz lives on!
Text for AFFINITY’s gigs at 2851 (Globe), 2951 (Smart) and 2851 (Sun). Syntax:
“LUK4 gigs AFFINITY”
or “LUK4 gigs JOHNNY”
I’m going to the Penguin Cafe on June 15!
The 2007 Manila Jazzfest at Hotel Sofitel (a.k.a. Jewelmer Corp’s vanity jazz concert) fails to invite any of the Candid Records artists (Johnny Alegre, Mishka Adams, Skarlet, Mon David or Isha Abubakar). Instead they headline Verni Varga as “the queen of jazz” (a cause for argument, if there’s any), and even glosses over Bob Aves, Javadelic, Gerard Salonga’s Angel Pena project, and just about every meaningful Philippine jazz development in recent months. 
just blog hopping. keep the music alive! love the header by the way. ^_^
will be routing for you. linking you as well… Jazz at its finest!
astig! glad to hear you’ll be at the penguin bar again
Affinity is undoubtedly the finest local jazz band ever! You’re CD is a big revelation. Keep it up.
can u upload a sample of ur music? thanks